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Heifetz: It Ain't Necessarily So |  | Creators: Samuel Gardner, Arthur Benjamin, Jascha Heifetz, Maurice Ravel, Clarence Cameron White, Gioachino Rossini, Victor Herbert, Antonin Dvorak, Anonymous, Stephen [1] Foster, Leopold Godowsky, Irving Berlin, George Gershwin, Susan H. Dyer, Claude Debussy, Julian Aguirre, Dmitry Shostakovich, Edwin Grasse, Robert [1] Russell Bennett, Kurt Weill
Label: Deutsche Grammophon
Category: Music
List Price: $17.98
Buy New: $9.83
as of 3/18/2010 08:29 MST details
You Save: $8.15 (45%)
New (23) Used (9) from $5.18
Seller: tickermountie
Rating:  3 reviews
Sales Rank: 173333
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5 x 0.5
MPN: 000719002
UPC: 028947762690
EAN: 0028947762690
ASIN: B000HIVQ3A
Release Date: October 10, 2006
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | From the Canebrake, for violin & piano, Op. 5 | | • | Jamaican Rumba for 2 pianos or orchestra | | • | Beau Soir, arrangement for violin & piano (after Debussy) | | • | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard | | • | Levee Dance for violin & piano, No 2, Op 27 | | • | Il barbiere di Siviglia (The Barber of Seville), opera: Figaro (paraphrase on 'Largo al factotum) | | • | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) | | • | A la valse, for violin & piano | | • | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) | | • | Gweedore Brae for voice & piano | | • | Old Folks at Home, for voice & piano | | • | Deep River, arrangement of spiritual for violin & piano | | • | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) | | • | White Christmas, song (from 'Holiday Inn') | | • | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano: Summertime | | • | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano: A Woman is a Sometime Thing | | • | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano: My Man's Gone Now | | • | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) | | • | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano: Tempo di Blues (There's A Boat That's Leavin' Soon for | | • | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano: Bess, You is My Woman Now | | • | Three Preludes, arrangement for violin & piano (after Gershwin): 1. Allegro ben ritmato e deciso | | • | Three Preludes, arrangement for violin & piano (after Gershwin): 2. Andante con moto e poco rubato | | • | Three Preludes, arrangement for violin & piano (after Gershwin): 3. Allegro be ritmato e deciso |
Disc 2
| • | An Outlandish Suite for violin & piano ('Florida Night Song'): 2. Florida Night Song | | • | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) | | • | Clair de lune, for orchestra or other arrangement (from 'Suite Bergamasque' for piano), L. 75/3 | | • | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) | | • | Huella, canción argentina for piano, Op. 49 | | • | Prelude for piano, in C sharp minor, Op. 34/10 | | • | Prelude for piano, in D flat major, Op. 34/15 | | • | Waves at Play (Wellenspiel), for violin & piano | | • | March, arrangement for violin & piano (after Prokofiev's 'The Love for Three Oranges') | | • | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) | | • | Hexapoda, 5 studies in jitteroptera for violin & piano: Gut-Bucket Gus | | • | Hexapoda, 5 studies in jitteroptera for violin & piano: Jane Shakes Her Hair | | • | Hexapoda, 5 studies in jitteroptera for violin & piano: Betty and Harold Close Their Eyes | | • | Hexapoda, 5 studies in jitteroptera for violin & piano: Jim Jives | | • | Hexapoda, 5 studies in jitteroptera for violin & piano: ... Till Dawn Sunday | | • | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from 'Die Dreigroschenoper') | | • | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42: 3. Mélodie in E flat major | | • | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) | | • | Dance of the Blessed Spirits (Melody), arrangement (from 'Orfeo ed Euridice') | | • | Waldszenen No. 7 ('Vogel als Prophet'), for piano, Op. 82/7 | | • | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue: Hymn to the Sun | | • | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) | | • | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 | | • | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) | | • | Pictures (6), for violin & piano, Op. 30: No. 4. Hills | | • | Geister Tanz (Ghost Dance), Op. 21/3 | | • | Berceuse de Jocelyn ('Angels Guard Thee') | | • | Where My Caravan Has Rested | | • | When You Make Love to Me (Don't Make Believe), for piano |
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| Customer Reviews:
 the same material as "the Decca Masters" published by MCA in 1988 April 3, 2008
Discophage (France)
5 out of 5 found this review helpful
With the addition of one item (the final "When you Make Love to Me (Don't Make Believe)"), this 2-CD set collates the same material that was first released on 2 MCA CDs in 1988, under the title "The Decca Masters" (Jascha Heifetz - The Decca Masters Volume 1 and Jascha Heifetz: The Decca Masters, Vol. 2 - Gershwin Foster Weill Berlin) - which is how I have them. The circumstances of those recordings, made between 1944 and 1946, were well documented on the MCA discs' liner notes: for many years Heifetz recorded exclusively for the various Victor labels (now Rca, a label of Bmg), but in 1942 the American Federation of Musicians went on a recording strike while re-negotiating an agreement with the record companies. Victor and Columbia held out, but Decca signed in 1943 and Heifetz, anxious to return to the recording studio, shortly changed allegiances until Victor agreed to the Federation's terms.
What you get is on the one hand a collection of those small, often sentimental trifles the 78rpm era was fond of - no big, serious, boring (?) Sonata or Concerto - which Heifetz, of course, did record for Victor. Many transcriptions, some of them by Heifetz himself. Some of the pieces are vehicles for the fiddler's legendary virtuosity, but most of them are not - and the Figaro transcription is also very funny. On the other hand, you also get an hour of Jascha on Broadway: plenty of Gershwin transcriptions, Robert Russell Bennet's Hexapoda (5 studies on the bug's jitter), Arthur Sullivan's famous Jamaican Rumba, some folk songs, one Irving Berlin Christmas Song, Weill's famous Mack The Knife. And you also get a starry guest, Bing Crosby, in Goddard's Berceuse and Lohr's "Where my Caravan has Rested". The deep caressing voice. Incredibly schmaltzy.
There is nothing substantial here but it is entertaining, and hello 'forties nostalgia. The MCA discs were more coherently arranged than this DG set: the "normal" repertoire of encores on one disc and Jascha on Broadway on the other. Here, they are interspersed. Also, at the time of writing, the sum of the two MCA discs is less than what is demanded for the DG set.
 The Greatest Violinist- But JOE VENUTI for JAZZ July 2, 2007
John Ruggeri (Philadelphia, PA USA)
5 out of 8 found this review helpful
Heifetz is the greatest violinist to make records. His jazz is excellent for a strictly trained classical violinist BUT Listen to any of Joe Venuti's recording of Summertime. It is magnifiently played by this violinist who had a classical technique but could deliver the jazz medium more idiomatically.
Classical violin players were oftened were amazed at Uncle Joe's ability to play off the beat and not what was exactly written. I confess- Joe Venuti was my great uncle but it is not just I who regard him as preeminent in jazz and he had a great technique and beautiful tone into his seventies.
Heifetz is my favorite classical violinist. Venuti is my favorite jazz violinist.
Heifetz Sounding Great. February 13, 2007
E. Hilston (Merrimack, NH USA)
7 out of 7 found this review helpful
It Ain't Necessarily So, But It Is. These recording from the mid 1940's sound great. The performances are of course wonderful, it is the sound quaility that will catch your attention, if you remember when they were recorded. Most CDs of recording from this era either have major noise problems or sound compression. This 2 disc set does not suffer from either of these problems. The team from Deutsche Grammophon and Andrew Wedman at Emil Berliner Studios are to be applauded. These are mono recordings but DO NOT let that stop you from enjoying them.
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